YASH JI HAS SO MANY BOX-OFFICE HIT MOVIES TO HIS CREDIT - DAAG, CHANDNI, KABHI-KABHI, SILSILA, LAMHE,DAR, DIL TO PAGAL HAI, VEER JAARA ETC- ALL HAVING THE "YASHRAJ BRAND" -SHIFFON SAREES-SWTZERLAND'S LOCATIONS- MELODRAMA - SOFT-MELODIOUS MUSIC - BUT LACKING THE "REAL-CONTENT"- SUBJECT . MAKING HIT MOVIE IS NO-PROBLEM - YOU JUST SIGN "SALMAN" AND PUT ANYTHING SHOT ON FOREIGN LOCATIONS BY "KABIR KHAN" AND RELEASE IT WITH THE TITLE "EK THA ' KUCHH BHI' - AND COLLECT 100 CRORES OF RUPEES. BUT WHERE IS THE REAL HERO OF THE MOVIE- " A THOUGHT PROVOKING SUBJECT " . HERE COMES NEERAJ PANDEY WITH 'A-WEDNESDAY" MAKING YOU SPELLBOUND WITH UNIQUE "SUBJECT" AND CRITICS START ASKING WHO IS THE DIRECTOR? SO I EXPECTED SOME "GREAT CINEMA" BY LATE YASHJI - HAVING ALL THE FACILITIES AND FINANCERS BEHIND HIM BUT HE COULD NOT EVEN SURPASS HIS OWN BROTHER "B.R." WHO HAD CONCIEVED " NAYA-DAUR" ( CONFLICT OF MAN AND MACHINE ) SADHNA ( REHABILITATION OF PROSTITUTES) GUMRAAH ( MARRIED MEN/ WOMEN - NOT TO CROSS THE LAXMAN REKHA) . ON THE CONTRARY YASHJI REVERSED THE STORY OF GUMRAH IN SILSILA -AND GOT REJECTION OF THE PUBLIC. I WISH A DIRECTOR OF HIS CALIBRE MUST HAVE AT LEAST "ONE" - ANAND / KAAGAJ KE PHOOL / PYASA / SATYAKAM / DO BIGHA ZAMEEN / DO AANKHEN BARA HATH / JAGTE RAHO OR ANARI TO HIS CREDIT.
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